Camille Jacob Pissarro

L'Oise à Pontoise, temps gris

1876
modern art

Pissarro believed that 'Everything is suitable for drawing, everything!' He was true to his word when he painted this factory. Pissarro didn't care much for industrialisation. He did not see the future of mankind in factories, but rather on the countryside. He mainly painted landscapes, sometimes in situ, as is the case here.

Also in special: Impressionism

  • Claude Monet - La maison du pêcheur, Varengeville
  • Edgar Hilaire Germain Degas - Petite danseuse de quatorze ans
  • Claude Monet - Champ de coquelicots
  • Claude Monet - La Seine près de Vétheuil

Also from 1800-1899

  • Anoniem - margarinepot
  • Hendrik Gerrit ten Cate - Village fair by night
  • Anoniem - voorraadpot
  • Anoniem - roemer

Also a schilderij

  • Joris Hoefnagel - Allegory on the friendship between the artist and Johannes Radermacher
  • Anoniem - Interior of a barn with a company at table (twelfth night)
  • Pieter Aertsen - The pancake bakery
  • Arent Arentsz. - The summer

Photo's from Flickr

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