Oskar Kokoschka

The mandrill

1926
modern art

For Kokoschka dynamic brush marks were an essential characteristic of Expressionism. His models should be in constant movement. He did not wish to sketch merely the body, but the body in movement. Animals were ideal subjects for him because they do not pose. Kokoschka painted this mandrill in the London Zoo.

Also by Oskar Kokoschka

  • Oskar Kokoschka - Double portrait of Hans Mardersteig and Carl Georg Heise

Also a schilderij

  • Nicolaes Pietersz. Berchem - Cave with shepherds and cattle
  • Abraham van Beijeren - Still life with fish
  • Anoniem - Still life with fruit, flute and wicker-bottle
  • Abraham van Beijeren - Still life with lemon, grapes and glasses

Also from 1900-1999

  • Edgard Tytgat - Portrait of the wife of the artist
  • Kees van Dongen - Le doigt sur la joue
  • Rik Wouters - The lady in red
  • Paul Signac - Le port de Rotterdam

Photo's from Flickr

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